As a form of poetic research practise these works on paper accompany the social sculpture FLYING UDDER. The series consists of overpainted and stamped prints of historical illustrations taken from the seminal book of Ernst Haeckel “Art Forms in Nature” (1899) and of the first aviation (1783) in Paris.
DATASHEETS: UDDER, 2018
Himmel und Herde. Die Emanzipation der Kuh, 2018, Museum Großes Walsertal, Sonntag | A, Photo: Elmar Bertsch